Mophradat commissions contemporary Arab composers and writers to produce alternative songs for kids

December 24, 2021

Album title: Mophradat Songs for Kids, Vol. 1: AFFRATTA

Worldwide release date: Friday 28 January 2022


LEAD TRACK KALBI BALADI OUT NOW

In 2021, Mophradat invited children’s writers Ahlam Bsharat, Hadil Ghoneim, and Yosra Sultan, along with musicians Huda Asfour, Rehab Hazgui, Maurice Louca, Aya Metwalli, Sam Shalabi, and Aalam Wassef, to collaborate on producing an album of progressive songs for young children. The music is made for children around the ages of four to six, the moment where their acquisition and understanding of language as form and meaning starts to take shape. The process, which took place online across countries, led to Affratta, an album of children’s music comprising six tracks.


Lead track
Kalbi Balady (My Balady Dog) sets Hadil Ghoneim’s endearing text about a playful one-eyed rescue dog, belonging to the ubiquitous Egyptian Baladi breed, to an off-kilter Arabic pop composition. Kalbi Balady features Aya Metwalli’s enchanting vocals against a backdrop of rhythmic swirl and spellbinding psychedelia-imbued arrangements, guaranteed to charm the hearts and minds of listeners, children and grown ups alike. 


Mophradat Songs for Kids
is a project that is looking for ways for children to be offered joyful, nature-loving, non-patriarchal, imaginative, and evocative music that encourages them to be kind, curious, adventurous, and loving. Music and song are one way children learn, express emotions, hear and tell stories, and get to know their bodies. The Arab world, unfortunately, has limited offerings of musical production for children, and this project is one of Mophradat’s first attempts to engage some of the region’s most exciting musicians with this genre.


Tracklist:

  1. Kalbi Balady
  2. Girani
  3. Elteneen
  4. Affratta
  5. Beit Teta
  6. Sha7rour


  • Mixed by Radwan Ghazi Moumneh (Hotel2Tango, Jerusalem in my Heart)
  • Mastered by Katie Tavini (Emeli Sandé, Nadine Shah, We Are Scientists)
  • Artwork by visual artist Jumana Emil Abboud and designer Joud Toamah.


The Songs for Kids retreat was made possible in cooperation with the Allianz Kulturstiftung.


FOR MORE INFORMATION CONTACT SIMSARA MUSIC 

sarah@simsara.me | +44 (0) 7526704546 



Notes to Editors


About Mophradat

Mophradat creates opportunities for artists from the Arab world through an inventive approach to funding, commissioning, collaborating, and gathering. Our way of working is imaginative and ambitious, inclusive and hospitable. We recognize the Arab world as a loosely-defined geography that is called home by people of diverse ethnicities, gender identities, religions, ideologies, and languages. The name Mophradat is an (eccentric) transliteration of the Arabic word meaning vocabulary. Our name speaks to the uniqueness of individual elements in a collective, but also to the way in which, brought together, they generate shared meanings and understandings.



About the Artists


Ahlam Bsharat

Ahlam Bsharat is a Palestinian novelist, poet, and children’s author, as well as a teacher of creative writing. She is a prominent and highly regarded author of YA novels in the Arab world.


Hadil Ghoneim

Hadil Ghoneim is an award-winning children’s books author. She writes in both Arabic and English, and her essays have appeared in Michigan Quarterly Review, Arab Lit Quarterly, Zone 3 among others.


Yosra Sultan

Yosra is a feminist, mother, and a native of Cairo. Her research focuses on the history of discourses on childhood, medicine and family life in late 19th and early 20th century Egypt. She also loves children’s literature and has two Arabic children’s books forthcoming.


Huda Asfour

Huda’s formal training in music began in Tunis at the age of 13; she later studied in Gaza, before joining the Edward Said Conservatory in Ramallah, where she received her formal training under the supervision of Khaled Jubran. Huda has released two studio albums, Mars... Back and Forth in 2011 and Kouni in 2018, and has written music for film and multimedia. In March of 2019, she was nominated for the Aga Khan Music Awards for the Performance category. Currently, she is developing her improvisational practice as a musician and educator, with a focus on Arabic music aesthetics.


Rehab Hazgui

Rehab Hazgui is a multimedia artist, composer and improviser of electronic music. Using the analog synthesizer and handmade audio devices, she explores the endless movement of sound, repetition and the use of silence as a third space on the boundary to navigate between different forms of listening. Much of her work is informed by her deep adoration for sound, and her grounded relationship with the analog synthesizer, a tool she has applied herself to not only as a composer and player but also as a designer and builder.


Maurice Louca

Maurice Louca is an Egyptian musician and composer born in Cairo, and a co-founder of bands Bikya, Alif and Dwarves of East Agouza. A prolific and adventurous figure on Egypt’s thriving experimental arts scene, he has in recent years garnered a global reputation through several solo albums and an expanding, evolving lineup of genre-defying collaborations.


Aya Metwalli

Aya Metwalli is an Egyptian singer/songwriter, composer and sound artist who grew up in Cairo and is currently based in Beirut. She started fiddling with the upright piano they had at home around the age of four, and soon after got her first solo singing gig on the pre-school stage and hasn't stopped singing since.
 She was also a kindergarten teacher for seven years prior to her professional music career.


Sam Shalabi

Sam Shalabi is an Egyptian-Canadian composer and improviser living between Montreal, Quebec and Cairo, Egypt. Beginning in punk rock in the late 70s, his work has evolved into a fusion of experimental, modern Arabic Music that incorporates traditional Arabic, shaabi, noise, classical, text, free improvisation and jazz.


Aalam Wassef

Aalam Wassef is an Egyptian visual artist and musician whose work has been exhibited and broadcast internationally. His artwork is featured in three anthologies, notably MIT Press's Art and Conflict in the 21st century. From 2006 to 2012 one of his aliases has released over 20 Arabic, satirical and anonymous songs that have rallied over a million listeners.


November 23, 2025
يصدر الألبوم كاملاً في ٢٧ مارس ٢٠٢٦ عبر تسجيلات سمسارة تُعلن تسجيلات سمسارة عن ألبوم "سِرّ" للفنانة المصرية مريم صالح في السابع والعشرين من مارس ٢٠٢٦. الألبوم رحلة صوتية ومشاعرية عميقة تنطلق من الذاكرة والفقد والتحوّل. تبني مريم بكلماتها وألحانها عالمها الموسيقي لتحكي لنا تشكل وعيها وكينونتها. بحثاً دوماً عن المعنى واتساع الرؤية خاضت مريم صالح خلال السنوات الماضية للمرة الأولى تجربة كتابة كلمات ألبوم بأكمله وصفت في مراحله الثلاث تفكك الذات وإعادة صياغتها وسمت كل مرحلة باسم يعكس تجربتها وما مرت به: المرحلة الأولى: الأصل والصورة، والثانية: المركبة، والثالثة والأخيرة حدس وصدى. "الكتابة هنا ليست تدويناً، بل نبضٌ خاص يحاول أن يحفظ المشاعر قبل أن تذوب في الضجيج. كان الفقد بداية— ثم طاقة محركة— ثم صدى يتسلل بين الكلمات، يصنع توازناً بين العفوي والمدروس. ثلاث سنوات من الإصغاء، من المراجعة والانقطاع والعودة، من تفكيك النصوص وإعادة صياغتها بشكل أنقى. سِرٌ هو الامتداد الطبيعي لهذه الرحلة: صوت يلتقي بالكلمة، باللحن، بالصورة— حتى يصبح كل تفصيل شاهداً على الطريق." مريم صالح أما الألحان فهي مستوحاه من القوالب الغنائية التراثية المصرية والعربية مثل الموال، التهويدة، الطقطوقة، المديح، الموشح، النشيد، العدودة، والدور. تفاعلت الألحان مع الإلهام لتقدم القوالب بصياغة جديدة. بعد أن لحنت مريم الأغنيات طورت الموسيقى خلال جلسات كتابة وتلحين طويلة ومتأنية، عملت خلالها مريم بمرافقة كاميليا جبران الفنية قبل الدخول إلى مرحلة التسجيل. شارك مريم صالح في الإنتاج الموسيقي كل من موريس لوقا الذي سبق وتعاونت معه في ألبوم الإخفاء و كاميليا جبران، التي تعزف أيضًا العود في ألبوم سِرٌ وتشترك في غناء البطانة. فكان ثلاثتهما فريق عمل يخرج الرؤية الفنية لكل الألبوم. الهندسة الصوتية والمكساج قام بهما مختار السايح - كايروجرووڤ، والماستر أو الإتقان تم على يد هبة قدري. فوتوغرافيا الغلاف بعدسة بولين جوبلان، ومعالجة الصورة لـ عمر مصطفى، والتصميم الفني لـ سيكو طاطور – أستوديو موني. تنسيق الرؤية البصرية ستوديو الفرجة، رسومات الألبوم بيد ماجد السكري، تحريك الرسم/الأنيميشن قام به يوسف آدم وتصوير الفيديو تم بعدسة محمود لطفي. ترجمت ناريمان يوسف كلمات الأغاني من العربية الى الانجليزية. الألبوم من إنتاج سمسارة للموسيقى بدعم من الصندوق العربي للثقافة والفنون آفاق. الأغنية المنفردة الأولى — ٢٣ نوفمبر ٢٠٢٥ الفطرة أولى أغاني الألبوم هي الفطرة من مرحلة أصل وصورة في قالب الطقطوقة المصرية—وهو غناء خفيف يعتمد على تكرار اللازمة وتنوّع الكوبليهات. الأغنية من كلمات وتلحين مريم صالح. واشترك في الإنتاج الموسيقي موريس لوقا والوايلي، في جمعٍ موفَّق بين البنية الشعبية والصوت المعاصر. كتابة ولحن: مريم صالح إنتاج مشترك: مريم صالح – موريس لوقا – الوايلي توزيع: مريم صالح و موريس لوقا غناء: مريم صالح كيبورد: موريس لوقا تشيلّو: زيزي إبراهيم درامز: ديلان هانتر تشي جرين إيقاعات: جوس تورنبل باص: محمود والي السيرة الذاتية — مريم صالح تُعدّ مريم صالح أحد أبرز الأصوات التي دفعت الموسيقى البديلة في مصر والمنطقة العربية إلى آفاق جديدة. صوتها قوي ومباشر، يمزج بين الشعبي والفولك والتجريب، ويُعبّر بوضوح عن حضور شخصي وإنساني لافت. نشأت مريم في بيت فني وسط القاهرة: والدها المخرج المسرحي صالح سعد حيث أخذت اولى خطواتها المسرحية مع فرقته السرادق مؤدية دور المهرج وهي في التاسعة من عمرها، ووالدتها المطربة أطلعتها على طيف واسع من الموسيقى العربية. وكان الشيخ إمام وأحمد فؤاد نجم يحضران بانتظام إلى منزل العائلة في جلسات موسيقية حميمة؛ وقد أثّر هذا الإرث بعمق على رؤيتها الفنية. بدأت صالح التركيز على الموسيقى في أوائل الألفية الثانية. وبينما كانت تقضي وقتها في وسط القاهرة، تخلت الفنانة الشابة عن الدروس الخصوصية واستخدمت المال للذهاب بدلاً من ذلك إلى العروض و لتمويل مشاريعها الفنية. شكلت فرقة ارتجالية عزفت مجموعة متنوعة من الأغاني الشعبية الإقليمية، ثم أطلقت فرقة جواز سفر حيث قدّمت أغاني الشيخ إمام لجمهور جديد. في عام 2003، اكتسبت مكانتها كعضو رئيسي في المشهد الفني في القاهرة بعرضين مميزين لفرقة جواز سفر في ساقية الصاوي الثقافية التي افتُتحت حديثًا. أسست فرقة "بركة" لتُغذي اهتمامها المتزايد بموسيقى الروك السايكدلية. وبينما واصلت عزف أغاني الشيخ إمام، بدأت أيضًا في تأليف أغانيها الخاصة، حيث تعاونت مع الشاعرين ميدو زهير وعمر مصطفى في تلحين كلماتها. أطلقت أول ألبوم منفرد لها "مش بغني" في ٢٠١٢. وفي عام ٢٠١٥ أطلقت ألبوم "حلاويلا" بالتعاون مع المنتج اللبناني زيد حمدان، الذي مثّل محطة فارقة في مسيرتها. ثم قدّمت ألبوم "الإخفاء" عام ٢٠١٧ مع الفلسطيني تامر أبو غزالة و المصري موريس لوقا والشاعر ميدو زهير، وهو عمل ترك أثرًا كبيرًا في المشهد الموسيقي البديل. في عام ٢٠٢٣، عادت بأغنية "بغنّي" بالتعاون مع المنتج السوري هالوسايكاليبو التي مثّلت مرحلة جديدة في كتابتها وصوتها. ويأتي ألبوم "سِرّ" ليواصل هذا المسار ويطوّره. طاقم عمل المشاركين في ألبوم "سِرّ" كتابة الكلمات: مريم صالح التلحين: مريم صالح (بالاشتراك مع كاميليا جبران في بعض الاغاني) التوزيع: مريم صالح و موريس لوقا الإنتاج الموسيقي المشترك: مريم صالح، موريس لوقا، كاميليا جبران (بالاشتراك مع الوايلي ونانسي منير في بعض الاغاني) الإنتاج التنفيذي الإبداعي: سارة المنيّاوي (سمسارة للموسيقى) مي مصطفى (سمسارة للموسيقى) الإشراف الفني على الكتابة والتلحين والصوت: كاميليا جبران (زمكنة) هندسة التسجيل: مختار السايح أحمد كارم النقيب التسجيل الحي (لايف): ستوديو كايروجرووڤ — ٢٠٢٥ المونتاج: مريم صالح موريس لوقا أحمد كارم النقيب المكساج: مختار السايح الماستر/ الإتقان: هبة قدري استشارة المكساج: كِنده حسن مساعدو المكساج: سمية حسّب الله أحمد كارم النقيب الشركة المنتجة: سمسارة للموسيقى الناشر: تسجيلات سمسارة تاريخ الإصدار: ٢٧ مارس ٢٠٢٦
November 23, 2025
A mythic and introspective work, Syrr (Arabic for “secret”) transforms memory, loss, and lived experience into a shifting world of sound, voice, and embodied emotion. Written and composed by Maryam Saleh, a luminary of Egypt’s alternative music scene, the album traces a journey in which the self is fractured, questioned, reassembled, and ultimately expanded. Blending raw lyrical expression with subtle dramatics, Saleh crafts an immersive sonic autobiography rooted in intuition, embodiment, and human becoming. “Writing, for me, was not merely inscription, but a way toward understanding. A search for a private pulse that could hold feeling before it dissolves into noise. Loss began as the first crack, then became a current of energy, and finally an echo that runs between the words— balancing what is spontaneous with what is deliberately remade. Three years of listening, returning, revising, breaking open the text and re-forming it until it revealed itself more clearly.” Maryam Saleh Co-produced by Maryam Saleh, Maurice Louca, and Kamilya Jubran—who also perform keys, oud & backing vocals respectively throughout—the album’s songs are influenced by existing Egyptian and Arabic song forms (including the mawwal, lullaby, madih, muwashshah, taqtuqa and more). The project underwent a rigorous three-year journey of songwriting and composition by Saleh with Kamilya Jubran as mentor before recording. “Syrr” is mixed by Mokhtar El Sayeh and mastered by Heba Kadry, with artwork by Pauline Gouablin (photography), Omar Mostafa (image editing and treatment), and Siko Tatour of Mooni Studio (design). The album’s visual world features hand-drawn illustrations by Maged El Sokkary, animated by Yousef Adam and video footage shot by Mahmoud Lotfi. Lyrics translation from Arabic to English by Nariman Youssef. It was produced by Simsara Music with support from the Arab Fund for Arts and Culture (AFAC). -----First Single: “El Fetra” — Out 23 November 2026 Born from the Egyptian taqtuqa song form—light, popular Arabic vocal music built on strophic verses and a repeating chorus—the first single is written and composed by Maryam Saleh as a meditation on her evolving relationship to instinct and intuition. Co-produced with standout Egyptian musicians/producers Maurice Louca and El Waili, the track bridges traditional popular structures and contemporary production aesthetics and instrumentation. Single Credits: Vocals: Maryam Saleh Keys: Maurice Louca Cello: Zizi Ibrahim Drums: Dylan Hunter Chee Greene Percussions: Joss Turnbull Bass: Mahmoud Waly -----Artist Biography: Maryam Saleh Maryam Saleh habitually pushes the boundaries of Arabic music. 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Her father, Saleh Saad, was a playwright and director who brought her into his street theatre troupe at age nine. Her mother, a singer, immersed her in a potent spectrum of Arab music. Frequent gatherings—often featuring Sheikh Imam and Ahmad Fouad Negm—shaped her artistic instincts. Saleh started focusing on music in the early 2000s. Hanging out in downtown Cairo, the high-school phenom ditched the private tutoring her parents sent her to and used money to pay for the lessons to instead go to shows and fund projects. She formed an impromptu band that played a variety of regional folk songs and then launched Gawaz Safar (Passport in Arabic). In 2003, she secured her place as a key member of the Cairo scene—and won over her increasingly nervous parents in the process—with two breakthrough Gawaz Safar performances at the newly-opened venue El Sawy Culture Wheel. She also formed the band Baraka to feed her growing interest in psychedelic rock. While she continued playing Sheikh Imam’s songs, she also began writing her own, working with the poets Mido Zoheir and Omar Mostafa to set their lyrics to music. In 2012, she released her debut album Mesh Baghanny, an iconic record that cemented her status as the punk rebellious voice of the Egyptian underground. Saleh’s musical pursuits reached even greater heights when she struck up collaborations with Tamer Abu Ghazaleh (a Palestinian, Egypt-based composer and oud and buzuq player) and Zeid Hamdan (a Lebanese producer best known as co-founder of the trip-hop duo Soap Kills). Working with them and others, Saleh has been able to focus in on different facets of her many talents. Halawella includes electro-pop reinventions of Sheikh Imam and Ahmad Fouad Negm’s songs—their brazenly hilarious social commentary resonating anew on a bed of whimsical arrangements and sing-song melodies. Lekhfa, on the other hand, presents lyrical visions of disillusionment and despair even as Saleh, Abu Ghazaleh, and Maurice Louca forge a progressive path through an innovative mix of Arabic instrumentation, electronic grooves, and Saleh and Abu Ghazaleh’s cathartic vocals. -----Full Album Credits — Syrr Written by: Maryam Saleh Composed by: Maryam Saleh (in collaboration with Kamilya Jubran on 4 tracks)Arrangements by: Maryam Saleh & Maurice Louca Arranged by: Maryam Saleh & Maurice Louca Co-Produced by: Maryam Saleh, Maurice Louca, Kamilya Jubran (co-production with Nancy Mounir on one track and El Waili on El Fetra) Creative Production: Sarah El Miniawy and May Mostafa (Simsara Music) Mentoring (writing, composition & vocals): Kamilya Jubran (Zamkana) Mixed by: Mokhtar El Sayeh Mastered by: Heba Kadry Mixing Consultant: Kinda Hassan Assistant Mix Engineers: Somaya Hassaballa & Ahmed Karem Alnaqieb Mastering Assistant: Jacob Clements Recording Engineers: Mokhtar El Sayeh & Ahmed Karem Alnaqieb Recorded Live at: CairoGroove, 2025 Edited by: Maryam Saleh, Maurice Louca & Ahmed Karem Alnaqieb Label: Simsara Records Produced by: Simsara Music Release Date: 27 March 2026
Maurice Louca is playing a guitar in a dark room. Photo by Aalam Wassef
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red mangrove tree over grey chrome background
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«بغني» على جميع المنصات الخميس 25 مايو/أيار 2023
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نزهة النفوس لنانسي منير تسجيلات سمسارة الجمعة ٣ يونيو/حزيران ٢٠٢٢ العينة الأولى خفيف خفيف متاحة للإستماع الآن